Greensleeves Rhythm
Album #27 - Diwali

There’s only so much that can be done with bass and drums, which is why it’s been so refreshing to see dancehall producers experimenting with eclectic new sounds recently. One of the more refreshing riddims to come along in a while - the Diwali - is the highlight of the latest Greensleeves disc, and a
highlight of the entire series.

An almost tribal beat accentuated by handclaps and whirling harpsichords, the Diwali bounces like bonfire flames licking at your heels. Produced by Steven “Lenky” Marsden for 40/40 Productions, the beat has an almost old school feel to it and pulls a lot of energy from each performer who rides it. In fact, the most successful tracks on the album find the guest toasters sculpting their chants around the riddim’s natural drops rather than focusing on melody. A perfect example is perhaps the riddim’s best track, “Sufferer” by Bounty Killer, or even “Elephant Message” by Elephant Man.

One of the more interesting cuts is Wayne Wonder’s “No Letting Go”, a track which finds the producers layering the basic beat with organs and keys which gives it an almost R&B feel without sacrificing its raucous thump. While the CD does have its share of filler, the riddim itself is so damn addictive you’ll listen through from start to finish. This is the one to beat this summer.

Diwali
Rhythm #27

Greensleeves Rhythm
Album #25 - Famine

While not as memorable as the Diwali, the Famine will certainly kick up some dust over the next few months. Aiming for the dance floor as well, Famine is a more hip-hop influenced riddim, with it’s busy hi-hats and chimes beefing up the back end of the beat.

As usual, the usual suspects are on hand to offer their usual toasts: Beenie Man, Bounty, Elephant, Anthony B and Hawkeye, among others. What’s amazing is that the same artists can pop up on each record and still keep things so fresh. Sizzla adds some fancy whistling to the blistering “Leaving Babylon” while Turbulence blazes across “Free”. Mention must also be made of Ward 21’s “Backactive”, a lively interpolation of Slick Rick’s “The Show” that puts the group’s natural chemistry to good use.

Put together by Scatta Productions, Famine packs a drum loop that resembles Ludacris’ “Southern Hospitality” and therefore may be in line for some crossover success in the US. The CD is a bit long, but after a few spins listeners will be able to program their favorite jams. With just enough standout tracks to carry it through, the Famine will be fueling a grind at a dancefloor near you.

Famine
Rhythm #25